Combined with facial identification technology, face recognition technology not only allows software to recognize when a face occurs in an image, but to also identify other images with the same face or even confirm an identity in real-time.
Michelson felt they were apt to lose sight of the drama in their insistence on accuracy.Īnd there was always a time element - no way we could do everything anybody might want us to do.Facial recognition search technology has come a long way in recent years. “We were bamboozled by technical advisors, people from NASA and other scientists,” he said. Michelson defended his decision in an interview with Starlog in January 1980, arguing that there was a danger in being too logical about designing sets. Probert remembered him saying: “No one goes to a movie with a slide rule in his hand.” Concept art by Andrew Probert He submitted a concept art for a terraced recreation room that would both maintain visual continuity and make the scene more interesting.īut Michelson rejected this as too complicated. Probert saw a problem, though: the saucer curves downward at the edges. Enterprise model Scene in the 2001 Director’s Edition Scene in the 2009 Blu-ray theatrical cut There were already windows on the model there, and Michelson felt he could build the right set for it. He proposed to put the recreation deck in the back of the saucer section, next to the impulse engines. At the time, Production Designer Harold Michelson’s problem was that he couldn’t possibly get glass in the required size to build that set. Today such a scene would be shot on a blue-screen stage. Concept art by Andrew Probert Harold Michelson suggests an alternative location for the recreation deck He submitted a concept art that showed how Spock’s arrival could be dramatized by observing his shuttle through the enormous windows of such a new facility. Illustrator Andrew Probert’s suggestion was to put it below the officers’ lounge. The question for the design team was where on the ship this reaction deck could be. So I felt it was very important that there be one place in the picture where we would have a big rec room and see a good part of the 400 people in one group, so we illustrate the size of the Enterprise and that it’s manned by all these people. “When I came on the show, I saw a number of the old episodes,” he told Cinefantastique in late 1979, “and I was struck with the fact that they were always talking about having a crew of 460 or something, but all you ever saw were the main characters and a few extras walking around the back.
The recreation deck of Star Trek: The Motion Picture grew out of Director Robert Wise’s desire to show the scale of the new Enterprise. Filming the recreation room scene ( Trekcore
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